Analysis: Seymour makes up the story of Bananafish that gorge themselves on bananas. And this represents the materialism of post WW2 America, which is in sharp contrast to the war years and the preceding Depression. Seymour's bathrobe symbolizes him trying to hide himself from the world. He doesn't interact with adults (laying on a beach alone, covered up), but interacts with a child. The theme here is that he seeks the innocence he had pre-war. But even as he interacts with Sybil, we hear Sybil being jealous and a bit violent (eg, she's jealous of another little girl in the hotel that played piano with Seymour, and she tells him, "next time" that girl sits next to you on the piano bench, "knock her off"). Thus, Seymour comes to the realization that ... there's no such thing as pure innocence...that humankind will always find reasons for jealousy and acts of violence. Also, he probably realizes that his kissing of Sybil's foot was, itself, a corruption of innocence.
SPOILER--
The end scene is his suicide. He realizes there's no escaping the corrupt world that he sees.
NOTE-- It's interesting that Salinger himself hid away from the world, like Seymour and his bathrobe. Salinger was part of D Day, so he too was an ex soldier like Seymour -- disillusioned like Seymour. Salinger sought help for what we'd now call PTSD. He died in 2010 at his NH home where he'd hidden from the fame that came to him after Catcher in the Rye. I can identify with a writer wanting to preserve their privacy. It's too grandiose to compare any ole writer to Salinger. Yet, I get it.
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